Album Review: Whatitdo Archive Group – The Black Stone Affair

By: Pat Carty

Link to the original

If there’s one thing that cooler-than-thou vinyl collectors love pulling out of their man bags at a vinyl show-and-tell, it’s a battered old soundtrack to some obscure movie you’ve never heard of, and all the better if it happens to have the words ‘Ennio’ and ‘Morricone’ on the front. “What do you mean you’ve never heard of La Spia Che Ha Scopato?” they’ll scoff, and it is down their noses they will look when you offer a blank stare to their assertion that Grandi Palle McGraw features some of Il Maestro’s finest work.

The next time this happens to you, suppress the urge to slap them in the face and instead send their jaws to the floor by casually mentioning The Black Stone Affair. As they start to sweat, take a sip of your drink and explain how the dark adventure movie was the one that was supposed to put the young Italian director Stefano Paradisi right up there with the greats before it was mysteriously lost, and the soundtrack, by the shady Whatitdo Archive Group, has only recently been rediscovered.

As they log on to Discogs in a flap, chuckle away to yourself in the knowledge that this excellent record has been painstakingly constructed to lend credence to the tall tale related above. It’s really the work of three American musos who are probably no strangers to dusty record fairs themselves. The back ‘story’ is one thing, and the cover art is as ridiculously cool as you might expect, but what of the music itself?

One listen to ‘Main Theme’ will have you dressing better, possibly in a pair of aviator shades and an open necked shirt, as you make your way through a seventies airport while endeavouring to evade the attentions of Interpol. Imagine yourself waiting for a connection at some street-side Euro cafe as ‘Blood Chief’ plays, before it all kicks off and you have to make a run for it. The horn-driven, wah-wah groove of ‘Ethiopian Airlines’ should have its own clothing line. You can picture Shaft following a few leads as ‘Il Furto Di Africo’ plays in the background. The bossa nova of ‘Italian Love Triangle’ was designed for a day out boating with La Contessa, and you could, quite easily, shoot a few louses for laughing at your mule during the marvellously authentic Spaghetti Western stylings of ‘Beaumont’s Lament’. In fact, I’m seriously considering changing my name to ‘Beaumont Jenkins’ and pulling off just one last big score before I retire to the islands.

This is the soundtrack that Quentin Tarantino’s dreams are made of. Buy it for the snob value – it’ll look good under your arm; enjoy it because it’s very, very good.

Neil Young & The Ducks

From Mojo Magazine:

IN THE summer of 1977, following the release of his eighth studio solo album, American Stars ’N Bars, Neil Young moved to Santa Cruz, the northern Californian city that was at the time a haven for stoners and surfers. There, from July to September, he jammed and gigged with The Ducks, a bar band supergroup comprising bassist Bob Mosley of Moby Grape, guitarist Jeff Blackburn – co-writer of My My, Hey Hey (Out Of The Blue) – and drummer Johnny Craviotto.

The band broke up after three months and so the 20 shows that The Ducks played together have become the stuff of legend, and widely bootlegged. But only now, 46 years later, are their live, mobile studio recordings due for a proper release, with the 25-track album, High Flyin’, as part of Young’s Original Bootleg Series.

Bob Mosley first met Neil Young when Moby Grape shared the stage at the Whisky A Go Go in LA with Buffalo Springfield in ’66. He tells MOJO today that he thinks there was more than one reason why Young was attracted to both Santa Cruz and The Ducks.

“I think he wanted to be part of a band again,” he says. “And it was summertime and he wanted to surf. The local surf shop built him a board. So, it worked out good. He got to do two things.”

“This band isn’t just me and some other guys who back me up,” Young told Dan Coyro of Good Times magazine in ’77. “It kind of reminds me of the time I was in the Buffalo Springfield.”

The group were very much a democratic outfit, with all four taking lead vocals and throwing songs into the mix. “We just made a setlist and Jeff would introduce them,” Mosley remembers. “The most memorable thing was the guitar playing that Neil played. It was so beautiful. It was high energy and it fit for songwriters real well.”

Young’s long-time friend, Sandy Mazzeo, quoted in Jimmy McDonough’s 2002 Neil biography Shakey, recalled the source of the band’s name. “We were driving around town for days, throwing out names… There were a lotta ducks crossing the street and somebody yelled out, ‘The Ducks’.”

“I think Neil wanted to be part of a band again.”

Local stores quickly sold out of duck calls, bought by fans who loudly honked them inbetween songs. “Oh yeah,” Mosley chuckles. “‘Quack quack!’ Great fun.”

But due to Young’s contractual touring obligation to Crazy Horse, The Ducks never played outside of Santa Cruz. There was vague talk of a Ducks album at the time, and many of the shows were professionally taped. But come the end of the summer, Young quit the city after his rented bungalow was burgled and his TV and guitar stolen.

“Neil just had enough, I guess,” says Mosley. “Neil didn’t come around any more, so we didn’t play any more. Plus I was doing stuff with Moby Grape again.”

Following years of listening to their bootlegs, the bassist is clearly very happy to finally hear an official Ducks album. “It’s much cleaner and it’s got all the songs from all the different gigs,” he enthuses. “It has quality.” Two years ago, Mosley and Young even spoke on the phone for the first time in nigh on half a century. “He told me he was 75, and I told him I was 78. And he said, ‘Oh, I remember when I was 33 and a third…’ (laughs).”

Tom Doyle

The Ducks’ High Flyin’ is out now on Reprise.

Side 1

  1. I Am a Dreamer
  2. Younger Days
  3. Gypsy Wedding
  4. Are You Ready For The Country?
  5. Hold On Boys

Side 2

  1. My My My (Poor Man)
  2. I’m Tore Down
  3. Hey Now
  4. Wide Eyed and Willing
  5. Truckin’ Man

Side 3

  1. Sail Away
  2. Gone Dead Train
  3. Silver Wings

Side 4

  1. Human Highway
  2. Your Love
  3. I’m Ready
  4. Little Wing
  5. Car Tune

Side 5

  1. Windward Passage
  2. Leaving Us Now
  3. Mr. Soul

Side 6

  1. Two Riders
  2. Honky Tonk Man
  3. Sailor Man
  4. Silver Wings