“On the Trail of the Lonesome Snock”: Byron Coley investigates Michael Hurley (Arthur, 2013)

On the Trail of the Lonesome Snock

Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead BYRON COLEY investigates this Wild American treasure.

Originally published in print in Arthur No. 35 (2013)

The best American musical inventors (Harry Partch, John Coltrane, John Fahey, Albert Ayler, et al.) have consistently possessed an odd blend of traditional and avant garde elements inside their work. I would suggest that Michael Hurley deserves a place among this pantheon; although, since his primary avant garde technique is surrealist lyric-writing, the radicalism of his work can be easy to overlook. Championed by outsiders, loners, stoners, eggheads, and marginal-culture nuts of all stripes, Hurley still seems to imagine himself as working inside the general blues/folk continuum, but that’s mainly because he’s so deep into his own weirdly personal universe he can’t see the forest for the trees. I’ve been listening to the guy closely now for better than 40 years, and it is clear that a deep connection to avant garde themology (whether intentional or subliminal) suffuses his work to such a degree that it begins to explain why his songs—so simple on their surface—have long drawn their most devoted fans from people who eschew “standard” folk traditions.

The first time I ever heard about Michael Hurley I was sitting in my mother’s 1968 Chrysler 300 in the Fall of 1971. She and my sister were playing a round of miniature golf in Parsipanny, NJ, but I had opted to stay in the car to read the new issue of Rolling Stone. In it was a review of an album called Armchair Boogie by Michael Hurley and His Pals that sounded intriguing as hell. I made my way out to the Sam Goody’s store in Paramus (the very shop where Glenn Jones bought his first Fahey LP) and found a copy. The cover was a brightly colored cartoon of a wolf snoozing in an armchair. I was not a folk fan at all, but the thing looked so great I bought it, took it home and slapped it on the box. There was a black & white comic book insert as well—Boone and Jocko in the Barren, Choking Land—and I looked through it as the album began to play. The opening track was ‘The Werewolf’ and it just nailed me. Acoustic guitar, violin and a tired sounding voice that flew into falsetto without notice, telling a tale about the travails of being a misunderstood monster. The comic book was weird and funny as shit in a non sequitur kind of way. And by the time Hurley started singing the song ‘English Nobleman’ in a truly rotten British accent, I was utterly won over. But this story ain’t about me. It’s about Michael Hurley, aka Elwood Snock, one of the purest fonts of true American beauty and orneriness to have yet graced our planet. And man, he pretty much defines what it means to be a “lifer.” He’s a guy who has lived by his own rules for a long time, in a universe where most people are willing to bend themselves into pretzels just to get by. It’s an inspirational tale. Hope you can dig it.

Michael Hurley was born a rounder. He entered the planet in 1941, via Northern Bucks County, Pennsylvania. His dad was a producer of musicals and, while the area around New Hope remained the family’s base, they also spent time in Florida and California, before returning to Bucks County to stay in the middle ’50s. This travel touched young Michael profoundly. For the last half-century it has been anyone’s guess where the hell he’ll pop up next. His first extended solo trip was in the Summer between 9th and 10th grades. Having secured a letter from his father, assuring any authorities that he was not a runaway, Michael took off, hitchhiking to New Orleans, then on to Mexico. He spent some time in Matamoros, and a night in the jail in New Iberia, LA (“They decided to lock me up to give me a place to stay,” he says. “Just for safe keeping.”), but made it back in time to start school. After another year or two, he dropped out of high school and turned his focus towards the lights of Manhattan beckoning in the night sky just over the hills from New Hope.